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Horned Frog Athletics
Scott & Wes Frog Fan Forum
Midnight Cowboy - RIP
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<blockquote data-quote="Frog DJ" data-source="post: 2890133" data-attributes="member: 4918"><p>More than just a few! I worked my way through TCU by doing 7pm-12am Monday-Friday on WBAP-AM, so Bill and I usually had 15-20 minutes to chat before he relieved me on the air at midnight. One such night my last record was Red Skelton's spoken version of the Pledge of Allegiance.</p><p></p><p>As the music faded out I opened the mic and said, "Whoever told Red Skelton he was a singer is the same guy who told Ronald Reagan he was a politician." Bill roared with laughter so loud and long that I lost control and dissolved into uncontrollable giggles, and just played a commercial.</p><p></p><p>In 1970, when I was stationed at Fort Hood, Hal Chestnut paid me $10 an hour to work 18 hours a weekend (6am-3pm Sauturday/3pm-12am Sunday), so I was making $180 a <em><u><strong>week</strong></u></em> on the radio, while the Army paid me $90 a <u><em><strong>month</strong></em></u>. I was exhausted every Monday, but I was the richest PFC in Killeen.</p><p></p><p>One Sunday night Bill came striding into the control room to prepare for his show at midnight, and said, "Son, do you drive all the way back to Fort Hood in the middle of the night?" When I told him that I did he added, "And you make reveille on Monday morning?" I grinned and said, "Of course I do, Bill!"</p><p></p><p>He laughed that throaty, breathy laugh that was so infectious and said, "How much is Chestnut paying you to do <u><em><strong>that</strong></em></u> crazy turnaround?" When I told him $10 an hour he howled, "Hell! <u><em><strong>I'll</strong></em></u> pay you $10 an hour if you'll do my show on Saturday nights so I can MC out at Panther Hall. Whattya say?"</p><p></p><p>I was 21 and "bullet-proof," so I instantly said, "Sure! When do you want me to start?" He later admitted he thought I'd balk at working an additional 6 hours a weekend when I was already doing 18, but I had all the energy in the world back in those days, and after all, that was $240 a week!</p><p></p><p>So, the next weekend I began doing his show while he introduced whoever was appearing at Panther Hall that Saturday night. After the last performance he would <em><u><strong>always</strong></u></em> bring the stars over to the studios, and interview them live on the air, and they would <u><em><strong>always</strong></em></u> be totally trashed!</p><p></p><p>It made for absolutely hilarious radio, often laced with random four-letter words that I was just convinced would end my radio career forever (because from a legal standpoint, my signature was on the operating log). However, management never complained, and we never heard from the FCC.</p><p></p><p>I met nearly every major Country Music star in the industry during those 9 months before I got shipped overseas to work in Armed Forces Radio/TV. One weekend he brought in Buck Owens, and the conversation was so salty that I surreptitiously turned off their mics and played a song without their knowledge.</p><p></p><p>Neither one of them was wearing headphones, and I kept the studio monitors turned all the way down, so they just continued talking without realizing they were no longer on the air. When the song ended, they were still talking, but had backed off the obscenities a bit, so I just faded them back up.</p><p></p><p>They never knew the difference, but Hal Chestnut certainly did! He called me the next week and asked what had happened. I told him I was surprised he was was awake at that time of night to hear it, and he said, "I wasn't, but I've heard about it from several listeners. Let Bill say whatever he wants!"</p><p></p><p>When I expressed concern that the FCC would cite us and fine us for obscene language on the air he yelled, "Hell, the FCC isn't awake at 3:30 in the morning, either! Let Bill say whatever the hell he <u><em><strong>wants</strong></em></u> to say." As you might imagine, I never cut Bill Mack off again. What a wonderful friend and mentor.</p><p></p><p>Go Frogs!</p></blockquote><p></p>
[QUOTE="Frog DJ, post: 2890133, member: 4918"] More than just a few! I worked my way through TCU by doing 7pm-12am Monday-Friday on WBAP-AM, so Bill and I usually had 15-20 minutes to chat before he relieved me on the air at midnight. One such night my last record was Red Skelton's spoken version of the Pledge of Allegiance. As the music faded out I opened the mic and said, "Whoever told Red Skelton he was a singer is the same guy who told Ronald Reagan he was a politician." Bill roared with laughter so loud and long that I lost control and dissolved into uncontrollable giggles, and just played a commercial. In 1970, when I was stationed at Fort Hood, Hal Chestnut paid me $10 an hour to work 18 hours a weekend (6am-3pm Sauturday/3pm-12am Sunday), so I was making $180 a [I][U][B]week[/B][/U][/I] on the radio, while the Army paid me $90 a [U][I][B]month[/B][/I][/U]. I was exhausted every Monday, but I was the richest PFC in Killeen. One Sunday night Bill came striding into the control room to prepare for his show at midnight, and said, "Son, do you drive all the way back to Fort Hood in the middle of the night?" When I told him that I did he added, "And you make reveille on Monday morning?" I grinned and said, "Of course I do, Bill!" He laughed that throaty, breathy laugh that was so infectious and said, "How much is Chestnut paying you to do [U][I][B]that[/B][/I][/U] crazy turnaround?" When I told him $10 an hour he howled, "Hell! [U][I][B]I'll[/B][/I][/U] pay you $10 an hour if you'll do my show on Saturday nights so I can MC out at Panther Hall. Whattya say?" I was 21 and "bullet-proof," so I instantly said, "Sure! When do you want me to start?" He later admitted he thought I'd balk at working an additional 6 hours a weekend when I was already doing 18, but I had all the energy in the world back in those days, and after all, that was $240 a week! So, the next weekend I began doing his show while he introduced whoever was appearing at Panther Hall that Saturday night. After the last performance he would [I][U][B]always[/B][/U][/I] bring the stars over to the studios, and interview them live on the air, and they would [U][I][B]always[/B][/I][/U] be totally trashed! It made for absolutely hilarious radio, often laced with random four-letter words that I was just convinced would end my radio career forever (because from a legal standpoint, my signature was on the operating log). However, management never complained, and we never heard from the FCC. I met nearly every major Country Music star in the industry during those 9 months before I got shipped overseas to work in Armed Forces Radio/TV. One weekend he brought in Buck Owens, and the conversation was so salty that I surreptitiously turned off their mics and played a song without their knowledge. Neither one of them was wearing headphones, and I kept the studio monitors turned all the way down, so they just continued talking without realizing they were no longer on the air. When the song ended, they were still talking, but had backed off the obscenities a bit, so I just faded them back up. They never knew the difference, but Hal Chestnut certainly did! He called me the next week and asked what had happened. I told him I was surprised he was was awake at that time of night to hear it, and he said, "I wasn't, but I've heard about it from several listeners. Let Bill say whatever he wants!" When I expressed concern that the FCC would cite us and fine us for obscene language on the air he yelled, "Hell, the FCC isn't awake at 3:30 in the morning, either! Let Bill say whatever the hell he [U][I][B]wants[/B][/I][/U] to say." As you might imagine, I never cut Bill Mack off again. What a wonderful friend and mentor. Go Frogs! [/QUOTE]
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Which team did TCU defeat in the College Football Playoffs?
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